Keith Moon was more than just rock's greatest drummer, he was a phenomenal character and an extravagant hell raiser who - in a final, uncharacteristic act of grace - actually did die before he got old. This new edition includes a newly written After word that consiers Moon's lasting legacy, the death of John Entwistle and The Who's ongoing career in the new millennium. In this astonishing biography, Tony Fletcher questions the myths, avoids the time-honoured anecdotes and talks afresh to those who where closest to Moon including Kim, his wife of eight years, and Linda, his sister and Annette Walter-Lax, his main girlfriend of the final years. Also interviewed are Oliver Reed, Larry Hagman, David Putnam, Alice Cooper, Dave Edmunds, Jeff Beck, John Entwistle and many others who worked and partied with him. In interviewing over 100 people who knew Moon, Fletcher reveals the truth behind the 'famous' stunts that never occured - and the more outrageous ones that did! He also uncovers astonishing details about Moon's outrageous extravagance which was financed by The Who's American success.

Known for the classics "Knock on Wood," "634-5789," "Raise Your Hand," "Big Bird," and "I've Never Found a Girl (To Love Me Like You Do)," among others, Eddie Floyd's career as a soul legend spans over sixty years. His professional singing career began in Detroit in the 1950s as a founding member of the Falcons, considered "The First Soul Group." A solo artist and songwriter for Memphis's famed Stax Records from 1966 until 1975, Floyd has subsequently been the singer for the Blues Brothers Band and for Bill Wyman's Rhythm Kings, while continuing to perform and record solo. In Knock! Knock! Knock! On Wood , Floyd recounts how a three-year stint in an Alabama reform school shaped his young life; recalls the early years of R&B in Detroit alongside future Motown and Stax legends; discusses the songwriting sessions with Steve Cropper and Booker T. Jones that produced his biggest hits; addresses his complicated life-long relationship with the often-unpredictable Wilson Pickett; shares his memories of friend Otis Redding; reveals his unlikely involvement in the rise of southern rock darlings Lynyrd Skynyrd; and offers an insider perspective on the tragic downfall of Stax Records. With input from Bruce Springsteen, Bill Wyman, Paul Young, William Bell, Steve Cropper, and others, Knock! Knock! Knock! On Wood captures Eddie's tireless work ethic and warm personality for an engrossing first-hand account of one of the last true soul survivors.

One of Britain's best-loved and most successful fanzines, Jamming! documented the musical landscape as it evolved between 1977 and 1986. Fully illustrated throughout, The Best of Jamming! includes numerous stand-out pieces from the zine's impressive 36 issue-run, from early features on The Jam, The Smiths, Run-D.M.C, Cocteau Twins and The Beat, to surprise exclusive interviews with Paul McCartney, U2 and Pete Townshend. Personal letters from Mark E. Smith, Paul Weller and others appear alongside arts, sports and politics features, poetry and a Foreword by Billy Bragg. Having guided Jamming! from a 6-page school publication to a nationally distributed monthly, editor Tony Fletcher provides behind-the-scenes insights, while musicians and former contributors reflect on their interviews and Jamming!'s long-lasting influence. An immensely evocative read, The Best of Jamming! perfectly encapsulates the excitement and unprecedented potential of the DIY era.

Formed in Athens, Georgia in 1980, R.E.M. released their first single, Radio Free Europe, in 1981. By the time the band broke up they had recorded fifteen studio albums, 63 singles, sold more than 85 million records, signed the biggest recording contract in music history, and were inducted into the Rock and Roll Hall of Fame in their first year of eligibility.

To this day, they were, their fans believe, the best band in the world. Critics and sales figures told a similar story. Yet for all their brilliance and adoration - their famously energetic live shows routinely interrupted by stage invasions - The Smiths were continually plagued by their reticence to play the game, and by the time of 1987's Strangeways Here We Come, they had split. Tony Fletcher's A Light That Never Goes Out - part celebration, part paean - moves from Manchester in the nineteenth-century to the present day to tell the complete story of The Smiths. The product of extensive research and unprecedented access, it will serve to confirm The Smiths as one of the most important and influential rock groups of all time.

The definitive book about The Smiths, one of the most beloved, respected, and storied indie rock bands in music history.
They were, their fans believe, the best band in the world. Hailing from Manchester, England, The Smiths--Morrissey, Johnny Marr, Andy Rourke, and Mike Joyce--were critical and popular favorites throughout their mid-1980s heyday and beyond. To this day, due to their unforgettable songs and lyrics, they are considered one of the greatest British rock groups of all time--up there with the Beatles, the Stones, the Who, and the Clash.
Tony Fletcher paints a vivid portrait of the fascinating personalities within the group: Morrissey, the witty, literate lead singer whose loner personality and complex lyrics made him an icon for teenagers who felt forlorn and forgotten; his songwriting partner Marr, the gregarious guitarist who became a rock god for a generation of indie kids; and the talented, good-looking rhythm section duo of bassist Rourke and drummer Joyce. Despite the band's tragic breakup at the height of their success, "A Light That Never Goes Out" is a celebration: the saga of four working-class kids from a northern English city who come together despite contrasting personalities, find a musical bond, inspire a fanatical following, and leave a legacy that changed the music world--and the lives of their fans.

Wilson Pickett was arguably the greatest male soul screamer of the 1960s and '70s. Well known for his unprecedented string of Soul hits, including "In the Midnight Hour," "Land of 1,000 Dances," and "Mustang Sally," Pickett has sold millions of albums, and tens of millions of singles. A first ballot inductee into the Rock & Roll Hall of Fame, he collaborated with some of the biggest names in '60s and '70s pop, rock, and soul, recorded for the most renowned labels in soul and R&B, and was a legendary presence on stage, his performances frequently culminating in stage invasions by frenzied audience members of all colors eager to bask (and dance) in his radiant aura. Equally well known for his personal troubles, his musical brilliance and success - like that of so many other superstars - Pickett's career was punctuated by violence, drug and alcohol addictions, and fits of erratic and wild behavior. In In the Midnight Hour, veteran music journalist and biographer Tony Fletcher not only tells the full story of Wilson Pickett's incredible career, and troubled life, but goes beyond the individual anecdotes to illustrate how Pickett's journey - geographic, musical, and cultural - was emblematic of both that of his generation of southern black men, and that of black American music in the second half of the twentieth century. He grew up in Alabama under Jim Crow in '40s where he experienced the peak of the gospel circuit before moving north to Detroit as part of the Second Great Migration, where he recorded for the nascent Tamla/Motown label. In the 60s he participated in integrated recording sessions for Stax and Atlantic, before moving back to Alabama where he took part in sessions at Muscle Shoals that made the studios signature sound famous, and at the beginning of the '70s, found himself in Philadelphia where he was instrumental in the birth of the Philly Soul sound. While centered around Wilson Pickett and his music, In the Midnight Hour will also be about the roller-coaster journey he took in his life, the social upheavals that surrounded him, the genre he helped shape along the way, and the pitfalls of the fame that success brought him. The first biography of one the most famous, influential, and fascinating figures in soul and R&B, In the Midnight Hour will find an eager audience among fans of Wilson Pickett, and soul and R&B music in general, as well as readers interested in the development of black music during the second half of the twentieth century.

From Tony Fletcher, the acclaimed biographer of Keith Moon, comes an incisive history of New York s seminal music scenes and their vast contributions to our culture. Fletcher paints a vibrant picture of mid-twentieth-century New York and the ways in which its indigenous art, theater, literature, and political movements converged to create such unique music. With great attention to the colorful characters behind the sounds, from trumpet player Dizzy Gillespie to Tito Puente, Bob Dylan, and the Ramones, he takes us through bebop, the Latin music scene, the folk revival, glitter music, disco, punk, and hip-hop as they emerged from the neighborhood streets of Harlem, the East and West Village, Brooklyn, the Bronx, and Queens. All the while, Fletcher goes well beyond the history of the music to explain just what it was about these distinctive New York sounds that took the entire nation by storm."